Three Visions Of Peru DECEMBER 4, 2002 - FEBRUARY 2, 2003 Each photographer was/is an inveterate traveler, their motion a kind of balm to their longing; each an exile from bad governments, economies, or their own ancestry. They were either forced, or chose to go, into the unknown to reinvent themselves Chambi voluntarily left home at the age of thirteen to make a living as a photographer's apprentice. Moving often in order to make a living, he eventually found his most satisfying subject in the natural movement and expressive characteristics of the people closest to him. Meinel uses history (inclusive of Chambi's photographic style) and ritual (fabricated out of his own dreams) as a means of connection to the ancestral and eternal. Also at thirteen, Mario Algaze along with his family left Cuba. At regular intervals, the cities of South America beckon him. The colonnades, café corners, This exhibition will be accompanied by a catalogue featuring an essay by Carol McCusker, Ph.D., Associate Curator of Photography at The Museum of Photographic Arts. |